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[music]

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[music]

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[music]

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[music]

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[music]

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>> You don't know what you're talking

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about.

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It ain't the ship, it's the men.

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It ain't the officers, it's us. I make

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this ship go, and don't you forget it.

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I make her go. Didn't you ever see your

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picture in the paper? Did the skipper

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ever hand you a little tin whistle to

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toot? You talk too much. That's what his

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mother told him when he was only one day

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old, if he had a mother.

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>> Nah, we've been here before, twice.

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So, we've moved in a circle again.

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That's one of the sad things about this

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life we live. There's only just so many

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saloons. Well, who has money left? Not

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me. We'll drink our drinks on Mr. Long.

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Huh? Who's been a guest of ours much too

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long. Oh, no. I'm saving what I got left

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for a reason. Uh that again.

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And uh what you fixing to buy this time

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that you'll never get? Oh, I'm going to

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buy something I can play. I always had a

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soul for music. Uh well, a drink would

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be better for you, and easier on us.

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Yeah?

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You want me to turn your keel side up

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and shake your savings OUT OF YOU?

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>> [music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[laughter]

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>> IT DON'T LOOK NICE TO TAKE ANOTHER

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FELLOW'S SEAT.

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YOU BOYS HAVE had enough.

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It's drinking causes all the

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misunderstanding between men.

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Now, go quietly back to your ship and

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stay out of trouble.

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Money.

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>> [laughter]

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>> Tell me, Hank,

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have you ever known a woman whose face

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you could remember if you wanted to?

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Not even your mother?

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I ran away from mine when I was a kid.

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Glad to beat it, too.

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There was nothing for me but lickings,

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that was all.

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But you can bet no one's ever licked me

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since.

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You guys want to try it?

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Uh how old were you when I don't know,

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seven or eight. What about it? Nothing,

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nothing.

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There was a man named Samson.

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Strength was his purpose, and strength

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was his reason, and his only defense

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against the world and its ways. You talk

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too much. It's me that makes the ship

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go, me. We're back to that again. She's

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a good ship, there's none better. Sure

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ain't. You talk of her in the way I talk

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of the woman I loved, if I was fool

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enough to love a woman. Dave, shut up.

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That's a lot of tripe.

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They'll double-cross you for a nickel,

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or even nothing.

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Treat them rough, that's me, the whole

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bunch of them.

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They don't belong, they don't amount to

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nothing.

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Who makes the old tub go? It's us guys,

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ME, ME. I MAKE HER GO.

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You got a dream in your hand,

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a crazy, killing dream that makes no

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sense.

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>> [music]

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>> Uh Hank, you're mad at nobody, not even

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him. There's plenty of us to see that

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you get fair play and no interference.

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How are you, Hank?

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Have you signed on for another voyage on

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the old tub?

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>> [laughter]

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>> Not me, brother. I'm not that dumb.

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She's my ship, and I like her.

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Nobody calls her a tub. Don't get out OF

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THIS OR NO ONE TROUBLE. ANYBODY FIGHT

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ANYBODY, POLICE ARREST EVERYBODY. YOU

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MAKE TOO MUCH TROUBLE. GET OUT OF THE NO

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OTHER BUSINESS. GET OUT.

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ANYBODY FIGHT ANYBODY, POLICE ARREST

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FULL OF BOILERS with a poker me

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fingertips.

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She leaks like a junk pile sieve, and

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should have been beefed after the last

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war. That's how far behind the parade

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she is.

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I say she's a rotten, stinking tub.

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She's a good ship.

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They can't sink her, and they can't stop

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her.

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She's no tub.

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>> [screaming]

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>> Can you be responsible? Sim, ele é

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culpado. Yes, sir? Sim.

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>> I'm just an innocent bystander. I'm a

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peaceful American citizen. Music's my

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trade.

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This This man, he start big fight, ruin

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my business. Best company in Lisbon, now

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she's wrecked. All right, present your

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bill to our owner's agent. He'll settle

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for any damage you can show was done by

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men off our ship. You sure you can prove

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what you claim? The men?

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Hurry it up, men. Back to the ship.

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Come along, Hunt. Come along.

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Wait a minute.

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I didn't sign up for another trip. If

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you'd rather be on the beach in Lisbon

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than spending your pay in New York,

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that's up to you. But these boys will

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throw you in the calaboose and throw

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away the key if you're not aboard in 10

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minutes.

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Well, we spent our pay and we've had our

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pleasure. Come on, boys. Back to the

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ship. Snap it up.

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Snap it up, says Mr. Lazar. You'd think

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he was a captain instead of the second

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engineer. Nobody tells me to snap it up.

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I'm there when I'm ready.

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She don't sail without me, she can't. I

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make her go.

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What does he do? Toot the whistle. Well,

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it's the way of the world. Some blow

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some whistles and others listen and does

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as they're told.

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>> You talk too much.

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But I do. But I do.

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I guess they're going to normal by the

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way. Your passes triple ants. Okay,

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Tony.

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Why should I?

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The Wail of the Banshee.

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What's this?

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Passengers.

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We never hauled no passengers before.

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Well, then we'll haul what the owners

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tell us to haul, me bucko. I don't like

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them.

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Passengers are bad luck. Jonahs. I

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wouldn't say that. No, they're just poor

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people trying to get where they'll be

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safe and they'll be free.

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Ah, try and hold back your tears.

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We're back onto it again.

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Feed the furnaces and feed our lives and

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our hearts along with the coal and for

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what? You talk too much. Go on.

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All's set, Manuel, except for these.

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The hotel sent down the passports, but

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the people they have not come.

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Well, that's Helen Parker. You know her?

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Yeah, I knew her in New York.

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You sure she's not on it? No, damn it.

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I'm sure.

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Well, that's funny.

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It's getting late.

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If anyone asks for me, tell them I'll be

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right back. Okay, Tony.

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>> [music]

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>> There's the Baron with that girl again.

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Look at him. Did you ever see anyone

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more devoted?

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I'd rather look at her. She's something

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special.

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You know who she is, don't you?

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Mildred Douglas, the American girl. More

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money than she can spend.

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Although I must say she seems to try.

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Mildred Douglas.

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>> [music]

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>> So, the Baron's in love.

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Good night.

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Good evening. Are you looking for

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someone?

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>> Yes, Miss Douglas. Oh, that's perfectly

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all right. She's waiting here. Table 11.

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>> [music]

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[music]

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>> Mildred. Hello, darling.

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>> Hello, Aldo. Mildred, we haven't much

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time. We're supposed to be on the ship

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in 15 minutes. Ship? Don't be absurd.

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We're going back by clipper. I told Mr.

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Cutler to get us on it. Well, that's out

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of the question. You know it is. We're

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lucky to have any sort of

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accommodations. We came here by clipper.

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I don't see why we can't go back that

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way. Well, we can't, so let's make the

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best of it. I'll meet you in the lobby.

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I want to say goodbye to Mr. Cutler.

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Goodbye, Aldo.

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Goodbye.

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You didn't tell me you were leaving.

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Didn't I?

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I think you had no intention of telling

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me.

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You mustn't think. Just dance and make

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pretty speeches. Don't think. So, you

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had no intention of telling me.

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You are very beautiful. Very beautiful

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and very strange.

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>> Thank you.

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The lady smiles. I am rewarded.

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That, I suppose, is your idea of humor.

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On the contrary. I am most serious. It

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is you who have such a magnificent sense

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of humor. Yes.

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You've kept me at your heels like a

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patient little puppy.

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Then without warning you, you're gone.

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What did you expect? You always tease

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the animals, but never feed them.

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I don't like saying goodbye, Helen.

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You've done a great job here. And I hope

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you'll hurry back. Well, I'm planning

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to, Mr. Cutler.

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I'll try and come back in the same ship.

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There'll be a lot of work waiting for

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you. I know, but I'll be back.

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Goodbye. Goodbye, Helen.

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Good luck.

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Tony. Tony Lazar. Helen, I've just been

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asking for you. I checked out. I'm

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leaving tonight. I know. I just found

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out. You're sailing with us.

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>> You mean we're going back together?

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That's a pleasant surprise. What can I

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do to help? Is your luggage down?

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>> Yes, but I can manage.

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>> I'll have it taken care of. Say, this is

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swell. I wish we weren't so rushed. We

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could do the town together. That sounds

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old times.

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I phoned you last time we were in New

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York.

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Look, those were the others.

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Mr. Cutler.

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Yes.

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I'm sorry, Miss Douglas. I'm busy.

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>> I suppose what Helen told me is true.

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What did Helen tell you, Miss Douglas?

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That we've got to accept accommodations

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on a filthy little freighter that

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shouldn't be allowed to leave the dock,

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much less carry passengers. It's true

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that I managed to find a place for you

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00:18:44,560 --> 00:18:48,120
aboard the freighter. You managed?

273
00:18:46,480 --> 00:18:49,480
That's amusing.

274
00:18:48,120 --> 00:18:51,840
Mr. Cutler,

275
00:18:49,480 --> 00:18:54,600
it occurs to me you didn't really try.

276
00:18:51,840 --> 00:18:55,760
I've done as much as I can do.

277
00:18:54,600 --> 00:18:56,880
Of course not. I know if it was going to

278
00:18:55,760 --> 00:18:59,560
be like this, I wouldn't have come here

279
00:18:56,880 --> 00:19:00,840
with Helen. Helen came to work.

280
00:18:59,560 --> 00:19:02,440
There's a job to be done and Helen

281
00:19:00,840 --> 00:19:04,159
wanted to help do it.

282
00:19:02,440 --> 00:19:05,919
Your passport indicated that you came

283
00:19:04,159 --> 00:19:07,560
here for the same purpose.

284
00:19:05,919 --> 00:19:09,520
You haven't shown the slightest interest

285
00:19:07,560 --> 00:19:11,919
in anything but having a good time. I've

286
00:19:09,520 --> 00:19:13,360
been amused. I'm glad we were successful

287
00:19:11,919 --> 00:19:15,040
in entertaining you.

288
00:19:13,360 --> 00:19:16,800
Most of us find it impossible to be

289
00:19:15,040 --> 00:19:18,800
amused by the tragic spectacle that is

290
00:19:16,800 --> 00:19:19,760
all around us. Is this a sermon, Mr.

291
00:19:18,800 --> 00:19:21,320
Cutler?

292
00:19:19,760 --> 00:19:23,000
I've had to give you passage that should

293
00:19:21,320 --> 00:19:24,360
go to people like these.

294
00:19:23,000 --> 00:19:26,400
To them, that filthy little freighter

295
00:19:24,360 --> 00:19:28,040
means a chance to live. I don't suppose

296
00:19:26,400 --> 00:19:29,640
that would interest you. You're a very

297
00:19:28,040 --> 00:19:30,919
sentimental man.

298
00:19:29,640 --> 00:19:32,200
Not sentimental, Miss Douglas,

299
00:19:30,919 --> 00:19:33,480
discerning.

300
00:19:32,200 --> 00:19:35,960
I'm not concerned with the fact that

301
00:19:33,480 --> 00:19:38,240
you're all wealthy, important. To me,

302
00:19:35,960 --> 00:19:39,800
you're demanding and inconsiderate. You

303
00:19:38,240 --> 00:19:41,760
seem to think that your position gives

304
00:19:39,800 --> 00:19:44,080
you an advantage over other people.

305
00:19:41,760 --> 00:19:45,760
Frankly, I'm not impressed. You'll find

306
00:19:44,080 --> 00:19:49,720
it unfortunate, Mr. Cutler, that you're

307
00:19:45,760 --> 00:19:49,720
so impractical.

308
00:20:07,760 --> 00:20:12,280
>> Hello. Oh, Mildred. Mildred, I want you

309
00:20:10,080 --> 00:20:15,000
to meet Tony Lazar. Tony, this is Miss

310
00:20:12,280 --> 00:20:16,560
Douglas. Hello. We're in luck, Mildred.

311
00:20:15,000 --> 00:20:17,600
Tony has taken care of our luggage and

312
00:20:16,560 --> 00:20:18,160
he's going to see that we get through

313
00:20:17,600 --> 00:20:20,200
the customs.

314
00:20:18,160 --> 00:20:21,280
>> That's very kind of you. Not at all. We

315
00:20:20,200 --> 00:20:23,040
better get started, though, or they'll

316
00:20:21,280 --> 00:20:24,880
sail without us. Oh, they'll wait. I

317
00:20:23,040 --> 00:20:27,000
have to pick up a few things. Will you

318
00:20:24,880 --> 00:20:30,400
help me with them? Sure. Darling, you

319
00:20:27,000 --> 00:20:30,400
get a cab. We'll meet you outside.

320
00:21:17,760 --> 00:21:21,920
Man the

321
00:21:18,920 --> 00:21:21,920
gangway.

322
00:21:26,360 --> 00:21:30,120
Lay out your gangway.

323
00:21:32,000 --> 00:21:34,080
Lay out

324
00:21:32,920 --> 00:21:36,360
your stream

325
00:21:34,080 --> 00:21:36,360
lines.

326
00:21:38,960 --> 00:21:43,000
Lay out your forward

327
00:21:40,560 --> 00:21:43,000
spring.

328
00:21:44,880 --> 00:21:49,000
Lay out your after

329
00:21:46,760 --> 00:21:49,000
spring.

330
00:21:53,000 --> 00:21:56,120
All clear.

331
00:22:12,940 --> 00:22:14,960
>> [music]

332
00:22:17,240 --> 00:22:20,320
>> Sorry, I've been busy today.

333
00:22:23,040 --> 00:22:25,560
George,

334
00:22:23,880 --> 00:22:27,080
I left my pea jacket down here. Meaning

335
00:22:25,560 --> 00:22:28,160
it to you.

336
00:22:27,080 --> 00:22:29,880
Pick it up and save it like you would

337
00:22:28,160 --> 00:22:31,800
your back, would you? I sure will, pal.

338
00:22:29,880 --> 00:22:34,200
I can't appreciate it. I'll take good

339
00:22:31,800 --> 00:22:35,280
care of it. All right, dear. Thanks.

340
00:22:34,200 --> 00:22:36,160
Hold on, pal.

341
00:22:35,280 --> 00:22:39,440
Hold on.

342
00:22:36,160 --> 00:22:39,440
Have a nice trip. Okay.

343
00:22:47,655 --> 00:22:49,675
>> [music]

344
00:23:04,960 --> 00:23:09,480
>> Oh, Helen, this is ghastly.

345
00:23:06,640 --> 00:23:11,160
>> Well, it isn't luxurious, I'll admit.

346
00:23:09,480 --> 00:23:12,160
Hey, did you leave anything in that

347
00:23:11,160 --> 00:23:14,520
shop, darling?

348
00:23:12,160 --> 00:23:17,320
>> Who gets this? I'd hate to take a bet on

349
00:23:14,520 --> 00:23:17,320
who gets it.

350
00:23:19,640 --> 00:23:22,640
Not

351
00:23:20,040 --> 00:23:25,480
>> there's any choice.

352
00:23:22,640 --> 00:23:27,280
This must be made of straw. Tea shells.

353
00:23:25,480 --> 00:23:29,800
Come on, Mildred. It isn't going to be

354
00:23:27,280 --> 00:23:31,840
that bad. We're lucky. Maybe you think

355
00:23:29,800 --> 00:23:34,760
so. I don't. We haven't got room enough

356
00:23:31,840 --> 00:23:34,760
to breathe.

357
00:23:36,720 --> 00:23:41,679
Look. How do they expect us to put

358
00:23:38,679 --> 00:23:41,679
anything in there?

359
00:23:43,080 --> 00:23:48,000
Cold. Well, it's the best there is.

360
00:23:46,360 --> 00:23:48,960
Least if they gave us

361
00:23:48,000 --> 00:23:50,560
two cabins.

362
00:23:48,960 --> 00:23:52,080
>> You ordered that, you said a bride's

363
00:23:50,560 --> 00:23:53,720
suite. We'd have room enough to move

364
00:23:52,080 --> 00:23:56,720
around.

365
00:23:53,720 --> 00:23:56,720
It'd be a little better.

366
00:24:00,240 --> 00:24:02,720
I wonder.

367
00:24:04,160 --> 00:24:07,640
Yes, who's there? Lazar.

368
00:24:15,560 --> 00:24:17,880
Come in.

369
00:24:23,280 --> 00:24:25,840
Yes, sir.

370
00:24:24,320 --> 00:24:27,520
Wasn't asking for you at sailing time,

371
00:24:25,840 --> 00:24:28,880
Mr. Lazar.

372
00:24:27,520 --> 00:24:32,280
I'm sorry, Chief. I had some personal

373
00:24:28,880 --> 00:24:33,720
business. I saw it from the bridge.

374
00:24:32,280 --> 00:24:36,000
It's too bad they had to have a war and

375
00:24:33,720 --> 00:24:37,960
put the cruise ships out of style.

376
00:24:36,000 --> 00:24:40,880
You'd look fine in whites, kissing hands

377
00:24:37,960 --> 00:24:42,720
at a masquerade.

378
00:24:40,880 --> 00:24:44,120
Well, Tony. I think I'll let the ladies

379
00:24:42,720 --> 00:24:45,280
watch out for themselves from here to

380
00:24:44,120 --> 00:24:46,679
New York.

381
00:24:45,280 --> 00:24:48,800
This trip, there'll be other things for

382
00:24:46,679 --> 00:24:50,440
us to watch out for. Yes, sir. We're

383
00:24:48,800 --> 00:24:52,520
joining in a convoy somewhere offshore

384
00:24:50,440 --> 00:24:54,600
inside of the next few hours.

385
00:24:52,520 --> 00:24:56,600
Now, we're five knots slower at our best

386
00:24:54,600 --> 00:24:58,440
and luckiest than the fine modern oil

387
00:24:56,600 --> 00:25:00,679
burners we're joining up with.

388
00:24:58,440 --> 00:25:02,960
The captain wants speed, and I've got to

389
00:25:00,679 --> 00:25:06,320
have steam in your shift, same as the

390
00:25:02,960 --> 00:25:07,800
others. Yes, sir. Anything else? Mhm?

391
00:25:06,320 --> 00:25:09,360
Oh, yes. Captain, may I order a drill

392
00:25:07,800 --> 00:25:10,920
first day out?

393
00:25:09,360 --> 00:25:12,080
I'd pass word it on among the passengers

394
00:25:10,920 --> 00:25:15,560
to start getting used to the life

395
00:25:12,080 --> 00:25:15,560
jackets. Okay, Chief.

396
00:25:23,800 --> 00:25:27,000
Get on here,

397
00:25:24,800 --> 00:25:27,000
STRIKE HER.

398
00:25:28,040 --> 00:25:30,560
GET IT IN THERE.

399
00:25:30,600 --> 00:25:33,000
GET IT IN THERE.

400
00:25:33,160 --> 00:25:35,480
BRING THEM.

401
00:25:40,480 --> 00:25:44,760
COME ON, FEED THEM.

402
00:25:42,640 --> 00:25:46,640
THEY'RE HUNGRY.

403
00:25:44,760 --> 00:25:49,040
LET THEM HAVE IT.

404
00:25:46,640 --> 00:25:49,040
FIRE IT UP.

405
00:25:54,360 --> 00:26:00,120
TAKE THEM BACK HERE. THAT'S US.

406
00:25:57,520 --> 00:26:02,200
WE MAKE THIS BOAT.

407
00:26:00,120 --> 00:26:05,160
THAT'S THE BOAT, YOU GUYS.

408
00:26:02,200 --> 00:26:06,720
THE WHOLE THING IS US.

409
00:26:05,160 --> 00:26:08,720
AND GUYS UP THERE, THEY THINK THEY'RE

410
00:26:06,720 --> 00:26:11,520
SOMETHING.

411
00:26:08,720 --> 00:26:11,520
BUT THEY'RE NOTHING.

412
00:26:25,920 --> 00:26:31,240
COME ON, 25 KNOTS THAT'S US.

413
00:26:28,440 --> 00:26:33,880
YEAH, HE SAID 25 KNOTS. LAY THAT ON YOUR

414
00:26:31,240 --> 00:26:33,880
TACHOMETER.

415
00:26:39,960 --> 00:26:45,000
GET THAT STEAM UP AND KEEP IT UP.

416
00:26:42,520 --> 00:26:47,520
YOU'RE NOT OFF DUTY FOR 2 HOURS YET.

417
00:26:45,000 --> 00:26:48,800
I'LL RAM THIS SON OF A [ __ ] THROUGH.

418
00:26:47,520 --> 00:26:49,720
I'LL RAM THE

419
00:26:48,800 --> 00:26:51,120
GOD DAMN THROUGH.

420
00:26:49,720 --> 00:26:53,160
WHAT DO THEY WANT, CHIEF?

421
00:26:51,120 --> 00:26:55,840
MORE COAL.

422
00:26:53,160 --> 00:26:58,640
WHAT IS HAY TO YOU? BLOW A WHISTLE.

423
00:26:55,840 --> 00:27:01,679
AND WHO MAKES THE SHIP GO? ME.

424
00:26:58,640 --> 00:27:01,679
WE MAKE HER GO.

425
00:27:06,000 --> 00:27:08,679
TAKE YOUR SHOT IN THE HEART OUT

426
00:27:07,520 --> 00:27:11,120
YOURSELF.

427
00:27:08,679 --> 00:27:13,320
STOP YOUR SHOT OFF NOW. SHUT UP AND FEED

428
00:27:11,120 --> 00:27:13,320
THEM.

429
00:27:18,520 --> 00:27:25,240
FEED THEM, YOU HEAR ME? THEY'RE HUNGRY.

430
00:27:21,440 --> 00:27:25,240
IT'S COLD. FEED THEM.

431
00:27:26,080 --> 00:27:28,679
FEED THEM.

432
00:27:29,600 --> 00:27:33,320
FEED THEM.

433
00:27:30,520 --> 00:27:33,320
YOU HEAR ME?

434
00:27:39,134 --> 00:27:41,154
>> [music]

435
00:27:53,544 --> 00:27:55,564
[music]

436
00:28:04,024 --> 00:28:06,044
[music]

437
00:28:12,800 --> 00:28:17,000
>> GOOD MORNING. I'M SORRY to kept you

438
00:28:14,679 --> 00:28:19,120
waiting, Tony. I'd say it was worth it.

439
00:28:17,000 --> 00:28:20,760
Thank you, sir. How'd you make out? Oh,

440
00:28:19,120 --> 00:28:22,240
all the comforts of home. Mhm. I know.

441
00:28:20,760 --> 00:28:24,640
Mine's up forward, the presidential

442
00:28:22,240 --> 00:28:25,880
suite.

443
00:28:24,640 --> 00:28:27,800
Tony,

444
00:28:25,880 --> 00:28:29,320
another stripe.

445
00:28:27,800 --> 00:28:30,880
Second engineer.

446
00:28:29,320 --> 00:28:32,480
That's wonderful.

447
00:28:30,880 --> 00:28:33,880
Important things have been happening to

448
00:28:32,480 --> 00:28:35,800
you.

449
00:28:33,880 --> 00:28:37,720
I'm very happy for you, Tony. Thank you,

450
00:28:35,800 --> 00:28:39,520
Helen.

451
00:28:37,720 --> 00:28:42,000
I'm still blaming myself for not knowing

452
00:28:39,520 --> 00:28:44,200
you were in Lisbon. I wish you had. You

453
00:28:42,000 --> 00:28:46,520
didn't have to go 3,000 miles to avoid

454
00:28:44,200 --> 00:28:47,600
me. Tony, you're silly.

455
00:28:46,520 --> 00:28:50,000
By the way, what were you doing in

456
00:28:47,600 --> 00:28:52,360
Lisbon? Tell you all about it sometime.

457
00:28:50,000 --> 00:28:53,840
Come on, let's go up on the upper deck.

458
00:28:52,360 --> 00:28:55,800
How about having your next kings and

459
00:28:53,840 --> 00:28:58,480
queens dining with the international

460
00:28:55,800 --> 00:28:59,760
set? Tony, you know me better than that.

461
00:28:58,480 --> 00:29:00,760
I'd have taken you to go get the Greeks.

462
00:28:59,760 --> 00:29:02,960
I bet you never been there.

463
00:29:00,760 --> 00:29:04,560
>> No. The best pastrami maker in the whole

464
00:29:02,960 --> 00:29:05,720
of Lisbon, and with an eye for the

465
00:29:04,560 --> 00:29:07,760
ladies.

466
00:29:05,720 --> 00:29:08,870
You'd have charmed him. Linda, Linda de

467
00:29:07,760 --> 00:29:09,320
Briga.

468
00:29:08,870 --> 00:29:10,800
>> [laughter]

469
00:29:09,320 --> 00:29:13,200
>> I'd have introduced you to some friends

470
00:29:10,800 --> 00:29:16,560
of mine, all unimportant people.

471
00:29:13,200 --> 00:29:16,560
>> I'd have loved that, Tony.

472
00:29:16,679 --> 00:29:19,679
Oh, Tony.

473
00:29:18,240 --> 00:29:20,760
How much luggage do you have?

474
00:29:19,679 --> 00:29:23,600
Oh, Tony.

475
00:29:20,760 --> 00:29:25,480
Good morning. Good morning. I tell my

476
00:29:23,600 --> 00:29:27,679
wife who are the lady who happens to go

477
00:29:25,480 --> 00:29:30,880
on ship. For that, I buy some of my

478
00:29:27,679 --> 00:29:33,200
cigarettes in analog. I know. Here. I

479
00:29:30,880 --> 00:29:35,280
know you yet. You don't wash near

480
00:29:33,200 --> 00:29:37,840
me. Thank you.

481
00:29:35,280 --> 00:29:39,679
Kiss the hand. My dushenka. Thank you.

482
00:29:37,840 --> 00:29:42,919
Kiss the hand. Kiss the hand. She does

483
00:29:39,679 --> 00:29:45,080
not speak English. I know. I know.

484
00:29:42,919 --> 00:29:45,919
She says thank you for helping us to go

485
00:29:45,080 --> 00:29:46,960
to America.

486
00:29:45,919 --> 00:29:50,560
>> You're very

487
00:29:46,960 --> 00:29:53,160
>> If you like music? Yes, fine. I'll play

488
00:29:50,560 --> 00:29:53,160
for you.

489
00:30:34,021 --> 00:30:36,041
>> [music]

490
00:30:53,016 --> 00:30:55,036
[music]

491
00:31:16,520 --> 00:31:18,840
>> Hello.

492
00:31:19,120 --> 00:31:22,680
Good morning.

493
00:31:20,320 --> 00:31:24,400
Rest well? How could I? We're crowded in

494
00:31:22,680 --> 00:31:26,600
together like two very uncomfortable

495
00:31:24,400 --> 00:31:28,720
sardines, Helen and I. Place is scarcely

496
00:31:26,600 --> 00:31:30,120
large enough for one, but for two.

497
00:31:28,720 --> 00:31:31,960
I'd be glad to let you have my cabin. I

498
00:31:30,120 --> 00:31:33,240
could bunk in with the radio operator.

499
00:31:31,960 --> 00:31:34,880
I'm afraid the captain would never hear

500
00:31:33,240 --> 00:31:36,600
of it. Rules, you know. The trouble with

501
00:31:34,880 --> 00:31:39,520
most regulations is they're not suited

502
00:31:36,600 --> 00:31:39,520
to the individual.

503
00:31:39,600 --> 00:31:42,920
Don't you think so?

504
00:31:41,520 --> 00:31:45,640
Like getting acquainted with your life

505
00:31:42,920 --> 00:31:48,640
jacket? But it's so unbecoming.

506
00:31:45,640 --> 00:31:49,920
Very handy sometimes.

507
00:31:48,640 --> 00:31:52,560
Too bad you and Helen can't be more

508
00:31:49,920 --> 00:31:52,560
comfortable.

509
00:31:52,720 --> 00:31:55,120
It's warm.

510
00:31:55,160 --> 00:31:58,760
Up and down, up and down. I suppose

511
00:31:56,720 --> 00:31:59,920
we'll be doing this for days. This isn't

512
00:31:58,760 --> 00:32:01,560
a cruise ship, you know.

513
00:31:59,920 --> 00:32:02,920
>> That's obvious.

514
00:32:01,560 --> 00:32:05,480
Well, I suppose we'll have to make the

515
00:32:02,920 --> 00:32:08,160
best of it.

516
00:32:05,480 --> 00:32:08,160
Poor little Tony.

517
00:32:16,202 --> 00:32:18,222
>> [music]

518
00:32:38,472 --> 00:32:40,492
[clears throat]

519
00:33:11,222 --> 00:33:13,242
[laughter]

520
00:33:43,920 --> 00:33:48,720
>> Come on, come on, you guys. Time for

521
00:33:45,880 --> 00:33:48,720
your baths.

522
00:33:51,833 --> 00:33:56,520
>> [laughter]

523
00:33:53,360 --> 00:33:56,520
>> Good for what else you?

524
00:34:03,520 --> 00:34:09,600
Take it easy, Hank.

525
00:34:05,960 --> 00:34:09,600
All right, Hank. All right.

526
00:34:09,679 --> 00:34:12,040
All right.

527
00:34:10,480 --> 00:34:13,879
Yes, sir, Hank.

528
00:34:12,040 --> 00:34:16,440
You're quite a fellow, quite a fellow.

529
00:34:13,879 --> 00:34:18,080
If you last. I'll last.

530
00:34:16,440 --> 00:34:19,679
I'll be making a go when those guys up

531
00:34:18,080 --> 00:34:21,308
on top are laid away in their whistles

532
00:34:19,679 --> 00:34:23,328
where they ought to be.

533
00:34:21,308 --> 00:34:23,328
>> [laughter]

534
00:34:23,840 --> 00:34:28,240
>> I've been young, too.

535
00:34:25,480 --> 00:34:30,280
And I've been sure in my time.

536
00:34:28,240 --> 00:34:31,480
Ah, there was beautiful ships in them

537
00:34:30,280 --> 00:34:34,440
days.

538
00:34:31,480 --> 00:34:35,919
Tall sails touching the sky.

539
00:34:34,440 --> 00:34:37,359
Cutting through the night and through

540
00:34:35,919 --> 00:34:39,480
the sun.

541
00:34:37,359 --> 00:34:41,399
The ocean was the ocean then. The ships

542
00:34:39,480 --> 00:34:43,159
were ships.

543
00:34:41,399 --> 00:34:45,760
Steaming now.

544
00:34:43,159 --> 00:34:48,399
Black smoke from the funnels smudging up

545
00:34:45,760 --> 00:34:50,720
the decks. The engines pounding and

546
00:34:48,399 --> 00:34:53,200
throbbing and choking our lungs with the

547
00:34:50,720 --> 00:34:55,240
coal dust. Breaking our backs in the

548
00:34:53,200 --> 00:34:57,000
heat of the stokehold.

549
00:34:55,240 --> 00:34:58,840
And we shoveling our hearts and our

550
00:34:57,000 --> 00:35:00,200
lives into the furnaces along with the

551
00:34:58,840 --> 00:35:02,440
coal.

552
00:35:00,200 --> 00:35:05,080
Caged in with never even a sight of the

553
00:35:02,440 --> 00:35:05,080
sky.

554
00:35:08,640 --> 00:35:11,320
What's that you're looking at? That's

555
00:35:09,840 --> 00:35:13,200
sky, ain't it?

556
00:35:11,320 --> 00:35:15,240
And we ain't no cage.

557
00:35:13,200 --> 00:35:16,680
And the smoke smells good.

558
00:35:15,240 --> 00:35:18,840
And I got my heart in me as good as

559
00:35:16,680 --> 00:35:21,200
ever. Always will be. You'll go like

560
00:35:18,840 --> 00:35:24,000
that, with a shovel in your hand.

561
00:35:21,200 --> 00:35:26,040
Ah, Paddy's right. He's wrong.

562
00:35:24,000 --> 00:35:27,640
Flesh and blood, wheels of the engine.

563
00:35:26,040 --> 00:35:29,640
That's all we are. Well, what's the

564
00:35:27,640 --> 00:35:31,920
matter with that? That's good.

565
00:35:29,640 --> 00:35:34,359
Fire and steel and steam.

566
00:35:31,920 --> 00:35:37,720
25 knots an hour, that's us. What more

567
00:35:34,359 --> 00:35:40,840
do we want? 25 knots, he says.

568
00:35:37,720 --> 00:35:43,359
10 it is, and a slow 10, too.

569
00:35:40,840 --> 00:35:45,480
Fool yourself if you want to, Hank.

570
00:35:43,359 --> 00:35:46,920
But don't think. Don't dream. You wasn't

571
00:35:45,480 --> 00:35:48,600
built for it.

572
00:35:46,920 --> 00:35:49,680
But heaven help you the day the time

573
00:35:48,600 --> 00:35:51,480
comes

574
00:35:49,680 --> 00:35:54,040
when the furnaces and your strength

575
00:35:51,480 --> 00:35:54,040
ain't enough.

576
00:35:56,320 --> 00:36:01,400
You talk too much. That he does. That he

577
00:35:58,960 --> 00:36:03,520
does. I got a furnace to feed right now,

578
00:36:01,400 --> 00:36:04,720
and it's hungry. Let's go below and grab

579
00:36:03,520 --> 00:36:06,880
our grub.

580
00:36:04,720 --> 00:36:09,120
Come on, you guys. Come on, let's feed

581
00:36:06,880 --> 00:36:09,120
them.

582
00:36:22,485 --> 00:36:24,505
>> [music]

583
00:36:32,320 --> 00:36:35,040
>> Hello.

584
00:36:33,640 --> 00:36:37,640
It's all arranged. I can have your

585
00:36:35,040 --> 00:36:38,840
cabin. The captain said so.

586
00:36:37,640 --> 00:36:40,080
That is, if you haven't changed your

587
00:36:38,840 --> 00:36:41,760
mind.

588
00:36:40,080 --> 00:36:43,560
Of course not, but

589
00:36:41,760 --> 00:36:44,760
well, I'm a little surprised.

590
00:36:43,560 --> 00:36:46,680
It was just a matter of making him

591
00:36:44,760 --> 00:36:48,320
understand. [music] After all, it it

592
00:36:46,680 --> 00:36:50,840
does say on our passports we had a

593
00:36:48,320 --> 00:36:52,600
reason for going to Lisbon.

594
00:36:50,840 --> 00:36:54,920
A lot of influential friends of mine

595
00:36:52,600 --> 00:36:57,240
might be upset to know that the captain

596
00:36:54,920 --> 00:36:59,720
hadn't tried to do his best for me.

597
00:36:57,240 --> 00:37:00,800
Thanks. I'm sorry, you can't smoke here.

598
00:36:59,720 --> 00:37:04,480
I know.

599
00:37:00,800 --> 00:37:04,480
Smoking isn't allowed on deck at night.

600
00:37:05,880 --> 00:37:12,359
Is that another one of your regulations?

601
00:37:09,120 --> 00:37:14,600
You can have a smoke inside if you like.

602
00:37:12,359 --> 00:37:14,600
All right.

603
00:37:27,680 --> 00:37:31,800
I had no idea you could be so stern.

604
00:37:30,440 --> 00:37:34,200
We have to be careful about lights,

605
00:37:31,800 --> 00:37:34,200
Milverton.

606
00:37:34,760 --> 00:37:39,560
Even a little thing like a match can be

607
00:37:36,120 --> 00:37:39,560
seen for miles out at sea.

608
00:37:50,520 --> 00:37:53,480
I suppose you think I'm a dangerous

609
00:37:51,960 --> 00:37:54,880
character.

610
00:37:53,480 --> 00:37:57,200
Why don't you give me a chance to find

611
00:37:54,880 --> 00:37:57,200
out?

612
00:38:04,120 --> 00:38:07,320
You and the admiral, I presume. Oh,

613
00:38:06,040 --> 00:38:08,680
that's Mr. McDougall, our chief

614
00:38:07,320 --> 00:38:10,000
engineer.

615
00:38:08,680 --> 00:38:12,000
I've learned a lot from him. Been with

616
00:38:10,000 --> 00:38:14,120
him ever since I signed on.

617
00:38:12,000 --> 00:38:16,280
I was staying in Rio de Janeiro.

618
00:38:14,120 --> 00:38:17,800
I like Rio.

619
00:38:16,280 --> 00:38:20,480
You've been to lots of places, haven't

620
00:38:17,800 --> 00:38:23,320
you? Quite a few, but I move around. If

621
00:38:20,480 --> 00:38:24,680
I'm bored with a place, I leave.

622
00:38:23,320 --> 00:38:27,240
Are you like that with men who fall in

623
00:38:24,680 --> 00:38:27,240
love with you?

624
00:38:28,640 --> 00:38:31,480
Let's get started,

625
00:38:34,160 --> 00:38:37,840
You can begin to [music] pack your

626
00:38:35,120 --> 00:38:37,840
things now.

627
00:38:54,040 --> 00:38:57,200
Milverton? Yes.

628
00:38:58,800 --> 00:39:01,560
Hello, darling.

629
00:39:03,640 --> 00:39:08,200
I'm moving. The Ritz? Better

630
00:39:06,120 --> 00:39:11,480
accommodations, no doubt.

631
00:39:08,200 --> 00:39:13,320
Not better. Roomier. On this ship.

632
00:39:11,480 --> 00:39:15,320
What am I supposed to do? Guess? Oh,

633
00:39:13,320 --> 00:39:18,200
that isn't too difficult.

634
00:39:15,320 --> 00:39:19,640
Into Tony's cabin. Into Tony's cabin?

635
00:39:18,200 --> 00:39:20,920
Uh-huh.

636
00:39:19,640 --> 00:39:22,359
Oh, he's moving in with the radio

637
00:39:20,920 --> 00:39:26,280
operator.

638
00:39:22,359 --> 00:39:29,520
That's nice of Tony. Tony, the perfect

639
00:39:26,280 --> 00:39:31,640
seagoing Samaritan.

640
00:39:29,520 --> 00:39:33,200
You two seem to be getting along fine

641
00:39:31,640 --> 00:39:35,000
together.

642
00:39:33,200 --> 00:39:36,560
I mean

643
00:39:35,000 --> 00:39:38,760
This is ready. Take it over for me, will

644
00:39:36,560 --> 00:39:41,880
you, darling? Okay, Duchess. Take over

645
00:39:38,760 --> 00:39:41,880
these, too, will you?

646
00:39:58,880 --> 00:40:02,640
>> Oh, don't forget to come back for

647
00:39:59,720 --> 00:40:02,640
another load, darling.

648
00:40:20,240 --> 00:40:22,920
Yes, Helen.

649
00:40:32,480 --> 00:40:35,280
Here, let me.

650
00:40:33,480 --> 00:40:36,880
>> Thanks, Tony.

651
00:40:35,280 --> 00:40:38,680
I'll get the rest. You'll need a

652
00:40:36,880 --> 00:40:40,720
trailer. There's no reason why you

653
00:40:38,680 --> 00:40:43,160
should bother. Oh, I don't mind. I've

654
00:40:40,720 --> 00:40:44,360
traveled with Mildred before.

655
00:40:43,160 --> 00:40:45,320
You and Mildred have been friends for a

656
00:40:44,360 --> 00:40:47,080
long time, haven't you?

657
00:40:45,320 --> 00:40:48,520
>> Mhm. We grew up together, went to the

658
00:40:47,080 --> 00:40:50,640
same schools.

659
00:40:48,520 --> 00:40:53,760
I guess you know her better than anyone.

660
00:40:50,640 --> 00:40:53,760
I think I do.

661
00:41:09,378 --> 00:41:11,398
>> [bell]

662
00:41:17,238 --> 00:41:19,258
[laughter]

663
00:41:19,600 --> 00:41:23,880
>> Poor tired fellows.

664
00:41:21,640 --> 00:41:25,753
Should have stayed ashore. This is just

665
00:41:23,880 --> 00:41:27,773
too tough for them.

666
00:41:25,753 --> 00:41:27,773
>> [laughter]

667
00:41:32,080 --> 00:41:35,800
>> What are you up to? Uh, I just want to

668
00:41:34,000 --> 00:41:37,680
keep my eye on the property. There's

669
00:41:35,800 --> 00:41:40,840
thieves on this boat, believe it or not.

670
00:41:37,680 --> 00:41:40,840
>> Come on, feed them.

671
00:41:43,920 --> 00:41:48,023
Just ain't got the strength for man's

672
00:41:45,880 --> 00:41:50,043
WORK LIKE THIS.

673
00:41:48,023 --> 00:41:50,043
>> [laughter]

674
00:41:53,040 --> 00:41:55,960
>> ALL RIGHT, COME ON, BOYS. PITCH IT IN

675
00:41:55,000 --> 00:41:57,720
THERE.

676
00:41:55,960 --> 00:41:59,680
FEED THEM, THEY'RE HUNGRY.

677
00:41:57,720 --> 00:42:02,240
THEY'VE BEEN STARVED FOR HOURS. COME ON,

678
00:41:59,680 --> 00:42:02,240
GET GOING.

679
00:42:12,360 --> 00:42:16,120
GET THAT STEAM UP FOR AN HOUR, MATE.

680
00:42:17,480 --> 00:42:21,520
COME ON, BOYS.

681
00:42:18,720 --> 00:42:21,520
GET THAT STEAM GOING.

682
00:42:23,760 --> 00:42:26,640
MILDRED? YES?

683
00:42:27,840 --> 00:42:32,400
I'M NOT READY YET. But you said now.

684
00:42:30,320 --> 00:42:34,960
Don't rush, darling. As it happens, I

685
00:42:32,400 --> 00:42:37,400
have an engagement.

686
00:42:34,960 --> 00:42:38,880
A date at the embassy? Quite the

687
00:42:37,400 --> 00:42:40,480
opposite. I'm paying a visit to the

688
00:42:38,880 --> 00:42:42,920
stokehold.

689
00:42:40,480 --> 00:42:45,160
Way, way down in the engine room, where

690
00:42:42,920 --> 00:42:47,560
no woman has ever trod. Mildred, you're

691
00:42:45,160 --> 00:42:49,000
not serious. They won't let you go down

692
00:42:47,560 --> 00:42:51,240
there. They don't allow women in that

693
00:42:49,000 --> 00:42:52,440
stokehold. They?

694
00:42:51,240 --> 00:42:52,960
You know very well it's against the

695
00:42:52,440 --> 00:42:53,920
rules.

696
00:42:52,960 --> 00:42:55,920
>> I didn't have any trouble with that

697
00:42:53,920 --> 00:42:57,640
other rule about the cabin. So, you went

698
00:42:55,920 --> 00:42:59,360
to the captain again.

699
00:42:57,640 --> 00:43:01,440
The captain knows it's wise to do as

700
00:42:59,360 --> 00:43:02,880
much as possible for me.

701
00:43:01,440 --> 00:43:04,680
I'm sure he'd be the last person in the

702
00:43:02,880 --> 00:43:06,520
world to object.

703
00:43:04,680 --> 00:43:08,280
I want to see how the other half lives.

704
00:43:06,520 --> 00:43:10,080
Think I'll enjoy it.

705
00:43:08,280 --> 00:43:12,240
It's time I enjoyed something on this

706
00:43:10,080 --> 00:43:15,200
ship. I've been bored to distraction.

707
00:43:12,240 --> 00:43:17,360
>> Hasn't been very exciting for any of us.

708
00:43:15,200 --> 00:43:19,520
If I were you, I'd be a little more,

709
00:43:17,360 --> 00:43:21,400
well, more cooperative. What a quaint

710
00:43:19,520 --> 00:43:23,880
word, darling. It might get someone in

711
00:43:21,400 --> 00:43:27,040
the trouble.

712
00:43:23,880 --> 00:43:27,040
Is Tony taking you?

713
00:43:27,640 --> 00:43:30,840
So, you told Tony you had the captain's

714
00:43:29,360 --> 00:43:32,480
permission. Darling, you should have

715
00:43:30,840 --> 00:43:34,040
been a lawyer. You're wonderful at

716
00:43:32,480 --> 00:43:35,640
coercion. Do you think it's fair to

717
00:43:34,040 --> 00:43:37,600
Tony? He's worked hard to get where he

718
00:43:35,640 --> 00:43:39,520
is now. This might mean his job.

719
00:43:37,600 --> 00:43:41,760
>> How dramatic you are.

720
00:43:39,520 --> 00:43:43,400
Mildred Wait.

721
00:43:41,760 --> 00:43:44,760
I'm afraid you don't understand.

722
00:43:43,400 --> 00:43:46,240
>> Tony's a big boy. He'll have to take

723
00:43:44,760 --> 00:43:48,440
care of himself.

724
00:43:46,240 --> 00:43:50,400
Don't worry, he's quite capable.

725
00:43:48,440 --> 00:43:53,080
Bye-bye. Cinderella will be home before

726
00:43:50,400 --> 00:43:53,080
midnight.

727
00:44:02,359 --> 00:44:05,840
Yes, Chief.

728
00:44:03,600 --> 00:44:06,720
No, this is Anderson.

729
00:44:05,840 --> 00:44:09,280
Well, uh,

730
00:44:06,720 --> 00:44:10,400
Mrs. Lascelles is not here.

731
00:44:09,280 --> 00:44:11,520
Yes, sir.

732
00:44:10,400 --> 00:44:13,000
Up.

733
00:44:11,520 --> 00:44:16,480
Chief wants more steam. We need another

734
00:44:13,000 --> 00:44:16,480
three knots, and five would be better.

735
00:44:17,960 --> 00:44:20,600
I'll say.

736
00:44:21,000 --> 00:44:23,680
You're not going below like that. Your

737
00:44:22,720 --> 00:44:26,080
dress will be ruined.

738
00:44:23,680 --> 00:44:27,720
>> What's a dress? I have dozens of them.

739
00:44:26,080 --> 00:44:29,160
Mildred, you won't like it. It's dingy

740
00:44:27,720 --> 00:44:30,280
and depressing. I wish you'd change your

741
00:44:29,160 --> 00:44:32,960
mind.

742
00:44:30,280 --> 00:44:35,240
But I'm not going to change my mind.

743
00:44:32,960 --> 00:44:38,000
Of course, if it's too much trouble

744
00:44:35,240 --> 00:44:40,720
You know I don't mean that.

745
00:44:38,000 --> 00:44:40,720
Come on, Tony.

746
00:44:44,520 --> 00:44:47,600
Which way? Up.

747
00:44:54,680 --> 00:44:56,960
Come on, boys.

748
00:44:55,760 --> 00:45:00,240
SPEED IT UP.

749
00:44:56,960 --> 00:45:00,240
MORE COAL, MORE STEAM.

750
00:45:04,280 --> 00:45:07,359
HEY, YOU.

751
00:45:05,520 --> 00:45:08,480
WHY AREN'T YOU SHOVELING? COME ON,

752
00:45:07,359 --> 00:45:10,240
WHAT'S THE MATTER WITH YOU?

753
00:45:08,480 --> 00:45:11,760
MORE STEAM, MORE STEAM.

754
00:45:10,240 --> 00:45:13,800
SHUT UP UP THERE.

755
00:45:11,760 --> 00:45:15,120
WHO'S RUNNING THIS, YOU OR ME?

756
00:45:13,800 --> 00:45:18,160
SHUT UP.

757
00:45:15,120 --> 00:45:19,200
COME ON, FEED THEM.

758
00:45:18,160 --> 00:45:21,040
HEY, YOU.

759
00:45:19,200 --> 00:45:22,520
COME ON, FIRE THEM UP.

760
00:45:21,040 --> 00:45:25,000
LISTEN, TONY. THAT CHRISTMAS STRIKE

761
00:45:22,520 --> 00:45:25,000
timer

762
00:45:25,920 --> 00:45:30,840
Feed them. IF IT AIN'T FOR HIM AND HIS

763
00:45:27,880 --> 00:45:33,040
WHISTLE, WE MAKE HER GO. COME ON, FEED

764
00:45:30,840 --> 00:45:33,040
THEM.

765
00:45:34,480 --> 00:45:39,480
WHAT'S THE MATTER WITH YOU? HAUL IT ON,

766
00:45:36,560 --> 00:45:39,480
THEY'RE HUNGRY.

767
00:45:40,480 --> 00:45:45,400
HE'S GOT HIS BROKEN TRAILER.

768
00:45:42,520 --> 00:45:45,400
HE'S BEATING on there.

769
00:45:47,080 --> 00:45:49,640
We never signed on to kill ourselves

770
00:45:48,520 --> 00:45:52,280
dead for the sake of a guy with a

771
00:45:49,640 --> 00:45:54,600
whistle. Or you neither. SHUT UP AND GET

772
00:45:52,280 --> 00:45:54,600
GOING.

773
00:46:11,120 --> 00:46:14,080
GET THAT STEAM IN HERE.

774
00:46:19,680 --> 00:46:23,680
PITCH IT IN THERE.

775
00:46:21,560 --> 00:46:25,920
MAKE HER GO.

776
00:46:23,680 --> 00:46:28,280
MAKE HER STEAM.

777
00:46:25,920 --> 00:46:30,320
GIVE US ALL YOU GOT.

778
00:46:28,280 --> 00:46:32,400
PITCH IT IN THERE.

779
00:46:30,320 --> 00:46:34,480
HAUL THAT COAL.

780
00:46:32,400 --> 00:46:36,400
BRING IT IN THERE.

781
00:46:34,480 --> 00:46:38,240
WATCH HER GO.

782
00:46:36,400 --> 00:46:40,280
BRING IT IN THERE.

783
00:46:38,240 --> 00:46:42,240
PITCH IT IN.

784
00:46:40,280 --> 00:46:44,320
FIRE AWAY.

785
00:46:42,240 --> 00:46:47,080
HAUL IT TOGETHER NOW.

786
00:46:44,320 --> 00:46:47,080
SHOVEL THAT COAL.

787
00:46:47,400 --> 00:46:52,600
COME ON.

788
00:46:49,000 --> 00:46:52,600
COME ON, YOU GUYS. GIVE ME THE COAL.

789
00:46:53,880 --> 00:46:57,680
SHUT UP. I'M NOT JOKING.

790
00:46:55,720 --> 00:47:00,160
SHUT UP, LIKE I TELL YOU.

791
00:46:57,680 --> 00:47:02,400
I'LL KNOCK YOUR BRAINS OUT. I'LL BUST

792
00:47:00,160 --> 00:47:03,760
YOUR SKULL IN. I'LL DRIVE THAT WHISTLE

793
00:47:02,400 --> 00:47:04,960
DOWN YOUR THROAT.

794
00:47:03,760 --> 00:47:08,400
SHUT UP.

795
00:47:04,960 --> 00:47:08,400
GET down here, THE [music] LOT OF YOU.

796
00:47:36,480 --> 00:47:40,880
GET AWAY FROM ME.

797
00:47:38,160 --> 00:47:43,080
Don't touch me, you ape. YOU HEAR ME,

798
00:47:40,880 --> 00:47:43,080
APE?

799
00:48:08,920 --> 00:48:14,840
YOU FED HIM, MR. FINCH. So who?

800
00:48:11,359 --> 00:48:14,840
Mhm, this sedative will help.

801
00:48:15,120 --> 00:48:19,800
She'll be all right, you see. The air is

802
00:48:17,200 --> 00:48:22,080
the best medicine. It was the nerves.

803
00:48:19,800 --> 00:48:24,240
Nerves? Thank you, doctor. You've been

804
00:48:22,080 --> 00:48:25,920
very kind. I only do what I can. Then

805
00:48:24,240 --> 00:48:28,440
why don't you go away? WHY DON'T THE TWO

806
00:48:25,920 --> 00:48:30,160
OF YOU stop fussing over me?

807
00:48:28,440 --> 00:48:31,520
She'll be all right, I am sure. She will

808
00:48:30,160 --> 00:48:34,560
be all right.

809
00:48:31,520 --> 00:48:34,560
Leave me alone.

810
00:49:02,948 --> 00:49:04,968
>> [music]

811
00:49:26,240 --> 00:49:30,359
>> Hard to get it washed off.

812
00:49:28,440 --> 00:49:32,840
I tried to stick to you.

813
00:49:30,359 --> 00:49:35,720
Gets hold of the skin, especially.

814
00:49:32,840 --> 00:49:35,720
Give you the itch.

815
00:49:38,560 --> 00:49:42,440
I'm your friend, Hank.

816
00:49:40,200 --> 00:49:44,040
I'm speaking only as your friend.

817
00:49:42,440 --> 00:49:45,680
It's a dangerous thing that you're

818
00:49:44,040 --> 00:49:47,640
thinking. Forget it. Forget it all about

819
00:49:45,680 --> 00:49:48,600
it. It's only a dead man's whisper. You

820
00:49:47,640 --> 00:49:50,520
talk too much.

821
00:49:48,600 --> 00:49:51,520
>> Who asked you? Forget it. That's what he

822
00:49:50,520 --> 00:49:53,120
says.

823
00:49:51,520 --> 00:49:56,000
So, the dame gives orders. She wants to

824
00:49:53,120 --> 00:49:57,080
see the animals below decks. So, what?

825
00:49:56,000 --> 00:49:58,080
>> The more you talk, the worse you make it

826
00:49:57,080 --> 00:49:59,600
sound.

827
00:49:58,080 --> 00:50:01,440
Well, what was it after all? The lady

828
00:49:59,600 --> 00:50:04,280
come down below to see what truly makes

829
00:50:01,440 --> 00:50:06,920
a ship go. That's all. Yeah, with Mr.

830
00:50:04,280 --> 00:50:09,480
Lazar. Like a bellboy in one of them

831
00:50:06,920 --> 00:50:11,960
fancy hotels. See, this, says he, my

832
00:50:09,480 --> 00:50:15,080
little whistle. I make the ship go, says

833
00:50:11,960 --> 00:50:16,960
Mr. Lazar. And then she calls

834
00:50:15,080 --> 00:50:18,960
Well, I never saw a woman insult Hank

835
00:50:16,960 --> 00:50:20,960
before and get away with it. You talk

836
00:50:18,960 --> 00:50:22,920
too much. Pay him no mind, Hank. Pay him

837
00:50:20,960 --> 00:50:24,960
no mind. Is it my fault lady white face

838
00:50:22,920 --> 00:50:26,440
comes to see the animals and Mr. Lazar

839
00:50:24,960 --> 00:50:27,960
points at us and says, here you are.

840
00:50:26,440 --> 00:50:29,640
Right in this cage, ladies and

841
00:50:27,960 --> 00:50:31,760
gentlemen, is a kind of baboon you've

842
00:50:29,640 --> 00:50:34,760
never seen before. Shall I play that for

843
00:50:31,760 --> 00:50:34,760
you on my concertina?

844
00:50:36,680 --> 00:50:40,160
Let the words be spoken and then forgot.

845
00:50:38,600 --> 00:50:41,480
And let you remain the man you've always

846
00:50:40,160 --> 00:50:45,480
been.

847
00:50:41,480 --> 00:50:45,480
No white-faced dame can call me an ape.

848
00:50:45,800 --> 00:50:50,400
Take it easy, Hank.

849
00:50:48,240 --> 00:50:52,400
I got to see her again.

850
00:50:50,400 --> 00:50:53,880
I got to find out.

851
00:50:52,400 --> 00:50:56,280
I got to find out. Wait, Hank. Don't be

852
00:50:53,880 --> 00:50:56,280
a fool.

853
00:51:02,600 --> 00:51:06,400
Will you stop now, Hank, before you go

854
00:51:04,160 --> 00:51:07,840
too far? Listen to me, Strike. What can

855
00:51:06,400 --> 00:51:11,200
you do about it? Nothing. How can a man

856
00:51:07,840 --> 00:51:11,200
strike back at the words of a woman?

857
00:51:20,120 --> 00:51:25,160
Now that you've seen her again, can you

858
00:51:21,760 --> 00:51:27,920
have hatred for the likes of her?

859
00:51:25,160 --> 00:51:29,520
Break her in two like nothing.

860
00:51:27,920 --> 00:51:31,320
It's what she is.

861
00:51:29,520 --> 00:51:33,800
Nothing.

862
00:51:31,320 --> 00:51:36,800
That's what we've been telling you.

863
00:51:33,800 --> 00:51:38,600
Put you in the furnace with one hand.

864
00:51:36,800 --> 00:51:40,800
What does she think she is?

865
00:51:38,600 --> 00:51:42,160
She knows who she is, Mr. Lazar. Now,

866
00:51:40,800 --> 00:51:44,440
come along back to folks where you

867
00:51:42,160 --> 00:51:44,440
belong.

868
00:51:49,600 --> 00:51:53,560
Try not to think about it anymore.

869
00:51:51,600 --> 00:51:56,840
There's nothing to be afraid of. I'm not

870
00:51:53,560 --> 00:51:59,360
afraid. Why do you say I was afraid?

871
00:51:56,840 --> 00:52:02,040
I just can't forget it.

872
00:51:59,360 --> 00:52:04,600
It isn't that easy.

873
00:52:02,040 --> 00:52:05,640
I see him coming in.

874
00:52:04,600 --> 00:52:07,760
I close my

875
00:52:05,640 --> 00:52:10,440
eyes, I see

876
00:52:07,760 --> 00:52:12,000
the way he looked coming in.

877
00:52:10,440 --> 00:52:15,320
Like a beast.

878
00:52:12,000 --> 00:52:16,560
A dirty, smelling beast. You're a liar.

879
00:52:15,320 --> 00:52:19,800
Take him below where you belong. Take

880
00:52:16,560 --> 00:52:19,800
him down WHERE YOU BELONG.

881
00:52:26,720 --> 00:52:30,040
TAKE HIM BELOW AND KEEP HIM THERE. TAKE

882
00:52:28,600 --> 00:52:31,720
IT EASY, HANK. Come on. Strike for the

883
00:52:30,040 --> 00:52:33,760
SHIP'S OFFICER. HE'LL HAVE YOU FOR

884
00:52:31,720 --> 00:52:35,000
KNIVES. TAKE HIM BELOW. STRIKE FOR THE

885
00:52:33,760 --> 00:52:36,440
KNIVES.

886
00:52:35,000 --> 00:52:38,240
COME ON, HANK.

887
00:52:36,440 --> 00:52:39,440
TAKE IT EASY. COME ON, STRIKE.

888
00:52:38,240 --> 00:52:41,720
HANK.

889
00:52:39,440 --> 00:52:41,720
Come on, Hank.

890
00:52:47,160 --> 00:52:49,520
Come on, Hank.

891
00:52:50,040 --> 00:52:52,600
Hank, come on, Hank.

892
00:52:53,240 --> 00:52:57,360
What, tonight?

893
00:52:55,040 --> 00:52:57,360
Am I?

894
00:52:57,560 --> 00:53:00,240
Then it must be because I have nothing

895
00:52:59,000 --> 00:53:02,160
to say.

896
00:53:00,240 --> 00:53:03,560
I could say a lot if I thought you'd be

897
00:53:02,160 --> 00:53:05,720
interested.

898
00:53:03,560 --> 00:53:07,400
Could you?

899
00:53:05,720 --> 00:53:08,560
I've been thinking.

900
00:53:07,400 --> 00:53:10,040
We'll be in New York in a couple of

901
00:53:08,560 --> 00:53:11,800
days.

902
00:53:10,040 --> 00:53:14,400
Days are years. It's like living in a

903
00:53:11,800 --> 00:53:16,920
nightmare.

904
00:53:14,400 --> 00:53:18,960
I'm sorry you feel that way.

905
00:53:16,920 --> 00:53:20,640
How can I help it?

906
00:53:18,960 --> 00:53:23,280
This isn't the sort of trip I'd want to

907
00:53:20,640 --> 00:53:23,280
remember.

908
00:53:23,480 --> 00:53:27,800
I hope there'll be some things about it

909
00:53:24,880 --> 00:53:27,800
you'll want to remember.

910
00:54:19,317 --> 00:54:21,337
>> [music]

911
00:54:25,640 --> 00:54:28,240
>> I'll take over now.

912
00:54:38,720 --> 00:54:43,400
Get that steam up and keep it up.

913
00:54:41,160 --> 00:54:43,400
Dig in.

914
00:54:53,600 --> 00:54:58,120
Poor tired fellows. Should have stayed

915
00:54:55,800 --> 00:54:59,800
ashore. Ain't got the strength for men,

916
00:54:58,120 --> 00:55:02,320
boy. Who's the guy that used to talk

917
00:54:59,800 --> 00:55:04,080
about 25 knots?

918
00:55:02,320 --> 00:55:05,200
What's the matter, Hank? Hank can't take

919
00:55:04,080 --> 00:55:07,400
it?

920
00:55:05,200 --> 00:55:08,840
The dame got you down? Pay him no mind,

921
00:55:07,400 --> 00:55:11,320
Hank. Come on.

922
00:55:08,840 --> 00:55:13,240
Save your breath for the shovel. One,

923
00:55:11,320 --> 00:55:14,840
start throwing coal. I guess we better

924
00:55:13,240 --> 00:55:16,400
do that. Only way Hank can show you boys

925
00:55:14,840 --> 00:55:18,520
up.

926
00:55:16,400 --> 00:55:19,760
That's too bad, Hank. You're falling

927
00:55:18,520 --> 00:55:23,760
apart.

928
00:55:19,760 --> 00:55:23,760
Just because a dame called you a

929
00:55:38,080 --> 00:55:41,560
Get back there. Break out. COME ON,

930
00:55:39,359 --> 00:55:41,560
HANK.

931
00:55:43,560 --> 00:55:47,400
YOU DRAW YOUR PAY AS A BOSS STOKER, but

932
00:55:45,800 --> 00:55:48,680
a punk kid could throw more coal than

933
00:55:47,400 --> 00:55:50,000
you throw.

934
00:55:48,680 --> 00:55:51,240
You'll spend the rest of this voyage in

935
00:55:50,000 --> 00:55:53,000
the brig if you don't get yourself

936
00:55:51,240 --> 00:55:55,000
straightened out. There's more than that

937
00:55:53,000 --> 00:55:56,960
to straighten out, Mr. Lazar.

938
00:55:55,000 --> 00:55:58,280
Break it up. Out of here now, number one

939
00:55:56,960 --> 00:56:00,120
ship. Out.

940
00:55:58,280 --> 00:56:01,960
PICK UP YOUR SHOVELS AND ALL PITCH COAL.

941
00:56:00,120 --> 00:56:05,880
Pitch your backs into it.

942
00:56:01,960 --> 00:56:09,640
Lazar and Smith, go topside to my cabin.

943
00:56:05,880 --> 00:56:09,640
Get that steam up and KEEP IT UP.

944
00:56:20,600 --> 00:56:25,840
I'VE BEEN AT SEA FOR 40 YEARS. I've

945
00:56:23,160 --> 00:56:29,600
known fools and I've known wild men, but

946
00:56:25,840 --> 00:56:31,320
you're in a class by yourselves.

947
00:56:29,600 --> 00:56:32,840
It's my plain duty to see to it that

948
00:56:31,320 --> 00:56:34,520
you're not left at liberty to put this

949
00:56:32,840 --> 00:56:36,600
ship and what she carries in any more

950
00:56:34,520 --> 00:56:39,160
danger. To hand you over for trial

951
00:56:36,600 --> 00:56:41,520
ashore so that you'll sail on no other

952
00:56:39,160 --> 00:56:43,680
ship for the rest of your lives.

953
00:56:41,520 --> 00:56:44,800
That's my duty. But I can't do it. I've

954
00:56:43,680 --> 00:56:46,760
got to put up with you cuz there's no

955
00:56:44,800 --> 00:56:49,200
one to take your places.

956
00:56:46,760 --> 00:56:50,880
Because of some personal feud between

957
00:56:49,200 --> 00:56:52,240
you, you forget there's a job to be

958
00:56:50,880 --> 00:56:53,760
done. It does not matter to either of

959
00:56:52,240 --> 00:56:55,560
you that we're short-handed at best and

960
00:56:53,760 --> 00:56:57,840
that we've lost the convoy.

961
00:56:55,560 --> 00:56:59,800
Aye, and we might have kept up with it,

962
00:56:57,840 --> 00:57:01,440
but we didn't.

963
00:56:59,800 --> 00:57:03,840
Remember that now.

964
00:57:01,440 --> 00:57:05,440
In case the worst happens and men that

965
00:57:03,840 --> 00:57:09,200
have called you their friends have to

966
00:57:05,440 --> 00:57:10,520
pay with their lives for your folly.

967
00:57:09,200 --> 00:57:13,080
I'll not ask you to shake hands and

968
00:57:10,520 --> 00:57:15,440
forget it. You haven't the sense.

969
00:57:13,080 --> 00:57:17,359
But I tell you once and for all,

970
00:57:15,440 --> 00:57:19,400
if I have to blow the whistle and feed

971
00:57:17,359 --> 00:57:21,240
the furnaces myself,

972
00:57:19,400 --> 00:57:23,560
one more word of complaint against

973
00:57:21,240 --> 00:57:24,960
either or both of you, and so help me,

974
00:57:23,560 --> 00:57:25,920
I'll have you chained to the wall of the

975
00:57:24,960 --> 00:57:28,880
brig.

976
00:57:25,920 --> 00:57:30,120
And there you'll stay.

977
00:57:28,880 --> 00:57:33,120
Now,

978
00:57:30,120 --> 00:57:33,120
get back to your work.

979
00:57:54,880 --> 00:57:58,200
Good day, Mr. Cooper.

980
00:57:58,240 --> 00:58:01,680
Babushka, America.

981
00:58:09,600 --> 00:58:12,520
Immigration okay? No articles to

982
00:58:11,240 --> 00:58:14,120
declare?

983
00:58:12,520 --> 00:58:16,040
You'll find your luggage in section P to

984
00:58:14,120 --> 00:58:18,680
your left. Thank you very much. Thank

985
00:58:16,040 --> 00:58:18,680
you very much.

986
00:58:21,160 --> 00:58:24,480
Beautiful. Beautiful.

987
00:58:25,320 --> 00:58:29,480
You'll find your luggage in section S to

988
00:58:27,040 --> 00:58:29,480
your left.

989
00:58:35,080 --> 00:58:39,280
You'll find your luggage in section M to

990
00:58:36,760 --> 00:58:39,280
your left.

991
00:58:41,359 --> 00:58:44,320
I just wanted to say goodbye, Miss

992
00:58:42,560 --> 00:58:45,800
Parker. Goodbye, Mr. MacDougall. Thank

993
00:58:44,320 --> 00:58:48,280
you for everything. It's been a real

994
00:58:45,800 --> 00:58:48,280
pleasure.

995
00:58:57,040 --> 00:59:02,200
Your name, please? Parker, Helen Parker.

996
00:58:59,240 --> 00:59:02,200
Helen Parker.

997
00:59:05,560 --> 00:59:09,880
Everything's all right, Miss Parker.

998
00:59:07,400 --> 00:59:09,880
Thank you.

999
00:59:13,880 --> 00:59:19,320
Well, it's finally over. Thank goodness.

1000
00:59:17,000 --> 00:59:21,800
Bye, Mr. MacDougall. Goodbye. Bye, Tony.

1001
00:59:19,320 --> 00:59:23,240
You've been a darling.

1002
00:59:21,800 --> 00:59:24,560
Mr. Lazar.

1003
00:59:23,240 --> 00:59:26,120
You better be getting on with your final

1004
00:59:24,560 --> 00:59:28,480
report.

1005
00:59:26,120 --> 00:59:28,480
Yes, sir.

1006
00:59:44,240 --> 00:59:48,200
>> Hey Hank. Hank. Now Now the first thing

1007
00:59:46,560 --> 00:59:49,760
you need, Hank, is a tall schooner of

1008
00:59:48,200 --> 00:59:51,440
cold ale to take the taste of the ship

1009
00:59:49,760 --> 00:59:53,080
out of your mouth. Then a haircut and a

1010
00:59:51,440 --> 00:59:54,440
bath with hot water in a tub.

1011
00:59:53,080 --> 00:59:55,720
>> tub, Hank. Then we can go someplace

1012
00:59:54,440 --> 00:59:56,760
where we can hear some good music.

1013
00:59:55,720 --> 00:59:58,600
>> That's right, Hank, and take the taste

1014
00:59:56,760 --> 01:00:01,120
of that concertina out of our ears. Oh,

1015
00:59:58,600 --> 01:00:01,120
yeah?

1016
01:00:06,120 --> 01:00:09,000
You won't get more money wherever you

1017
01:00:07,360 --> 01:00:10,520
go. You're not worth half I pay you. It

1018
01:00:09,000 --> 01:00:12,160
isn't the wages I'm talking about, Miss

1019
01:00:10,520 --> 01:00:13,920
Douglas. I got decent treatment the

1020
01:00:12,160 --> 01:00:14,520
places I worked. I was treated like a

1021
01:00:13,920 --> 01:00:17,680
HUMAN BEING.

1022
01:00:14,520 --> 01:00:17,680
>> HOW DARE YOU?

1023
01:00:34,160 --> 01:00:37,200
EMMA, ANSWER THAT.

1024
01:00:54,640 --> 01:00:58,680
HELLO. OH, HELLO, DARLING. You're just

1025
01:00:56,960 --> 01:01:00,600
in time. You can help me.

1026
01:00:58,680 --> 01:01:02,160
I can't stay long, Mildred. I want to

1027
01:01:00,600 --> 01:01:04,000
talk to you about something.

1028
01:01:02,160 --> 01:01:05,600
>> a fire, Emma. She's been impossible

1029
01:01:04,000 --> 01:01:06,920
lately. I'm getting ready to go to the

1030
01:01:05,600 --> 01:01:08,920
Ellisons for cocktails. You know the

1031
01:01:06,920 --> 01:01:10,280
Ellisons, don't you? Yes, of course. Oh,

1032
01:01:08,920 --> 01:01:12,040
it's too bad you weren't invited. It

1033
01:01:10,280 --> 01:01:13,800
should be amusing. The Blaines having a

1034
01:01:12,040 --> 01:01:14,960
crowd, too. I thought I'd drop by there,

1035
01:01:13,800 --> 01:01:16,520
then come back and change for dinner

1036
01:01:14,960 --> 01:01:18,720
with the Garretts. Perhaps we'll go

1037
01:01:16,520 --> 01:01:19,480
dancing later. Sounds like quite a

1038
01:01:18,720 --> 01:01:21,680
schedule.

1039
01:01:19,480 --> 01:01:22,880
>> I should hope so after that dreary trip.

1040
01:01:21,680 --> 01:01:25,280
Get out my dress for me, will you,

1041
01:01:22,880 --> 01:01:27,920
darling? I've a new black.

1042
01:01:25,280 --> 01:01:30,760
Well, not there, the other side.

1043
01:01:27,920 --> 01:01:30,760
And a bag.

1044
01:01:37,040 --> 01:01:38,800
Mildred, there's something I want to

1045
01:01:38,320 --> 01:01:40,160
tell you.

1046
01:01:38,800 --> 01:01:41,640
>> Darling, why don't you go with me to the

1047
01:01:40,160 --> 01:01:44,600
Ellisons? I'll lend you something to

1048
01:01:41,640 --> 01:01:46,560
wear. Thanks, but I can't. I'm leaving

1049
01:01:44,600 --> 01:01:49,200
tonight for Lisbon.

1050
01:01:46,560 --> 01:01:50,960
Helen, you're not going back.

1051
01:01:49,200 --> 01:01:53,880
Darling, you're simply priceless, our

1052
01:01:50,960 --> 01:01:53,880
little crusader.

1053
01:02:01,360 --> 01:02:05,080
Hello.

1054
01:02:03,400 --> 01:02:06,840
It's Tony. Here, you take it. He's

1055
01:02:05,080 --> 01:02:08,120
calling you, isn't he? Well, I don't

1056
01:02:06,840 --> 01:02:08,680
want to speak to him. Ask him what he

1057
01:02:08,120 --> 01:02:11,760
wants.

1058
01:02:08,680 --> 01:02:11,760
>> Suppose you ask him.

1059
01:02:12,240 --> 01:02:16,960
Hello.

1060
01:02:14,520 --> 01:02:20,320
Have you?

1061
01:02:16,960 --> 01:02:20,320
No, sorry. I'm busy.

1062
01:02:20,640 --> 01:02:23,840
No, I'll be quite late.

1063
01:02:24,120 --> 01:02:28,160
Tony, I just can't help being busy.

1064
01:02:28,920 --> 01:02:33,800
Tony, I don't know. Why don't you give

1065
01:02:30,960 --> 01:02:36,760
me a ring some other time?

1066
01:02:33,800 --> 01:02:39,320
So, that disposes of Tony Lazare. I

1067
01:02:36,760 --> 01:02:42,160
don't think I'll wear this after all.

1068
01:02:39,320 --> 01:02:44,000
You're not going to see Tony again?

1069
01:02:42,160 --> 01:02:47,680
Why should I?

1070
01:02:44,000 --> 01:02:49,120
I had no intention of going on with it.

1071
01:02:47,680 --> 01:02:51,760
He should have known I wasn't really

1072
01:02:49,120 --> 01:02:53,760
serious. Perhaps he was too honest to

1073
01:02:51,760 --> 01:02:56,280
see through your little game.

1074
01:02:53,760 --> 01:02:58,880
I don't know what you mean.

1075
01:02:56,280 --> 01:03:00,400
Perhaps he believed in you. Oh, I'm sure

1076
01:02:58,880 --> 01:03:02,280
he did, but that was foolish of him,

1077
01:03:00,400 --> 01:03:03,880
wasn't it? Why, darling, you look as

1078
01:03:02,280 --> 01:03:05,760
though you expect me to feel sorry for

1079
01:03:03,880 --> 01:03:07,840
Tony Lazare.

1080
01:03:05,760 --> 01:03:09,200
You are a sentimentalist, aren't you? I

1081
01:03:07,840 --> 01:03:10,240
haven't the slightest interest in the

1082
01:03:09,200 --> 01:03:13,320
man.

1083
01:03:10,240 --> 01:03:16,920
I was amused for a while, that's all.

1084
01:03:13,320 --> 01:03:19,360
You haven't changed, have you? Changed?

1085
01:03:16,920 --> 01:03:20,840
I was hoping someday you might, but you

1086
01:03:19,360 --> 01:03:22,400
haven't.

1087
01:03:20,840 --> 01:03:24,240
You know, Mildred, when we were kids,

1088
01:03:22,400 --> 01:03:26,440
you used to take toys that didn't belong

1089
01:03:24,240 --> 01:03:27,800
to you and break them and throw them

1090
01:03:26,440 --> 01:03:29,280
away.

1091
01:03:27,800 --> 01:03:30,920
For years you've been doing the same

1092
01:03:29,280 --> 01:03:32,520
thing with people and getting away with

1093
01:03:30,920 --> 01:03:34,320
it. Darling, I never knew you were so

1094
01:03:32,520 --> 01:03:37,080
interested in my career. I didn't

1095
01:03:34,320 --> 01:03:38,400
realize before how mean and vicious you

1096
01:03:37,080 --> 01:03:41,320
were.

1097
01:03:38,400 --> 01:03:43,560
The great Miss Mildred Douglas, who's

1098
01:03:41,320 --> 01:03:45,080
never done a kind, considerate act in

1099
01:03:43,560 --> 01:03:47,400
her life unless she thought she'd get

1100
01:03:45,080 --> 01:03:49,160
paid double in return for it.

1101
01:03:47,400 --> 01:03:50,640
You've waited a long time to tell me

1102
01:03:49,160 --> 01:03:53,200
this.

1103
01:03:50,640 --> 01:03:54,840
I thought I knew you, but I didn't. And

1104
01:03:53,200 --> 01:03:56,400
now I'm beginning to see another

1105
01:03:54,840 --> 01:03:58,359
picture.

1106
01:03:56,400 --> 01:04:00,840
And you wouldn't like it because it's

1107
01:03:58,359 --> 01:04:02,960
the truth about you.

1108
01:04:00,840 --> 01:04:04,640
And it isn't pretty.

1109
01:04:02,960 --> 01:04:07,040
Why don't you just say that you're in

1110
01:04:04,640 --> 01:04:09,040
love with Tony Lazare?

1111
01:04:07,040 --> 01:04:10,320
You should have told me.

1112
01:04:09,040 --> 01:04:12,960
Perhaps I could have made arrangements

1113
01:04:10,320 --> 01:04:12,960
to share him.

1114
01:04:19,560 --> 01:04:22,760
Close the dressing room door on the way

1115
01:04:21,080 --> 01:04:25,640
out, will you, darling? It's getting

1116
01:04:22,760 --> 01:04:25,640
chilly in here.

1117
01:04:31,880 --> 01:04:35,560
Hi, Tony. Hi, Al.

1118
01:04:44,840 --> 01:04:47,920
Is this where she lives?

1119
01:04:48,440 --> 01:04:51,359
Well, now that you've seen where she

1120
01:04:49,760 --> 01:04:52,520
lives, let that be enough.

1121
01:04:51,359 --> 01:04:53,960
Let's come along back now to where we

1122
01:04:52,520 --> 01:04:55,880
can buy us a drink.

1123
01:04:53,960 --> 01:04:58,640
The first one's on me. On him. You

1124
01:04:55,880 --> 01:04:59,720
wouldn't want to miss that, would you?

1125
01:04:58,640 --> 01:05:01,440
You want to go in there now, Hank? I'll

1126
01:04:59,720 --> 01:05:03,000
be in. No good.

1127
01:05:01,440 --> 01:05:04,480
Just a minute.

1128
01:05:03,000 --> 01:05:06,160
Who do you want to see?

1129
01:05:04,480 --> 01:05:07,960
Her name's Douglas.

1130
01:05:06,160 --> 01:05:09,280
I got to talk to her.

1131
01:05:07,960 --> 01:05:10,760
I got to ask her something. Miss

1132
01:05:09,280 --> 01:05:14,560
Douglas?

1133
01:05:10,760 --> 01:05:14,560
Wait a minute. I'll see if she's in.

1134
01:05:15,880 --> 01:05:19,880
Hank. Hank.

1135
01:05:17,520 --> 01:05:19,880
Right now.

1136
01:05:23,440 --> 01:05:26,880
What's your name? Smith.

1137
01:05:26,040 --> 01:05:28,960
Hank Smith.

1138
01:05:26,880 --> 01:05:32,120
>> She met him aboard our ship in case she

1139
01:05:28,960 --> 01:05:32,120
can remember that far back.

1140
01:05:41,120 --> 01:05:44,760
Hello. Miss Douglas?

1141
01:05:43,359 --> 01:05:46,200
This is Alan.

1142
01:05:44,760 --> 01:05:49,440
I'm sorry to bother you, but there's a

1143
01:05:46,200 --> 01:05:51,320
man down here says his name is Smith.

1144
01:05:49,440 --> 01:05:52,720
A sailor, I guess.

1145
01:05:51,320 --> 01:05:55,920
Tell him I'm not in. I don't want to see

1146
01:05:52,720 --> 01:05:55,920
him. Tell him anything.

1147
01:05:57,200 --> 01:06:01,200
Miss Douglas doesn't want to see you.

1148
01:05:59,520 --> 01:06:01,840
But I got to see her. I only want to ask

1149
01:06:01,200 --> 01:06:03,160
her something.

1150
01:06:01,840 --> 01:06:04,960
>> want to see you. Come on. Get out of

1151
01:06:03,160 --> 01:06:06,560
here now. Come on. Get out. Don't touch

1152
01:06:04,960 --> 01:06:08,035
the lady. Hey, listen, Hank. THIS IS

1153
01:06:06,560 --> 01:06:10,055
NONE OF YOUR BUSINESS.

1154
01:06:08,035 --> 01:06:10,055
>> [screaming]

1155
01:06:11,400 --> 01:06:14,560
>> ALL RIGHT, HANK. COME ON. COME ON.

1156
01:06:26,640 --> 01:06:32,400
COME ON. GET HIM IN THERE. LET ME OUT.

1157
01:06:29,840 --> 01:06:33,840
LET ME OUT OF HERE. LET ME OUT.

1158
01:06:32,400 --> 01:06:35,120
LET ME OUT. I DIDN'T DO ANYTHING.

1159
01:06:33,840 --> 01:06:37,760
>> BACK.

1160
01:06:35,120 --> 01:06:37,760
LET ME OUT OF HERE.

1161
01:06:38,160 --> 01:06:42,160
OPEN UP THIS CAGE. LET ME OUT OF HERE.

1162
01:06:40,720 --> 01:06:44,480
ALL RIGHT, QUIET DOWN.

1163
01:06:42,160 --> 01:06:46,440
I DIDN'T DO NOTHING. LET ME OUT, I TELL

1164
01:06:44,480 --> 01:06:48,440
YOU. LET ME OUT.

1165
01:06:46,440 --> 01:06:50,600
OPEN UP THIS CAGE AND LET ME OUT OF

1166
01:06:48,440 --> 01:06:52,120
HERE. SHUT UP, WILL YOU?

1167
01:06:50,600 --> 01:06:53,240
OPEN UP THIS CAGE AND LET ME OUT OF

1168
01:06:52,120 --> 01:06:55,120
HERE.

1169
01:06:53,240 --> 01:06:56,160
LET ME OUT [screaming] OF HERE. LET HIM

1170
01:06:55,120 --> 01:06:57,320
HAVE IT.

1171
01:06:56,160 --> 01:06:59,120
OKAY.

1172
01:06:57,320 --> 01:07:01,000
LET ME OUT OF HERE.

1173
01:06:59,120 --> 01:07:03,240
LET ME OUT, I TELL YOU.

1174
01:07:01,000 --> 01:07:04,359
LET ME OUT, YOU HEAR ME? LET ME OUT OF

1175
01:07:03,240 --> 01:07:07,280
HERE.

1176
01:07:04,359 --> 01:07:09,080
I DIDN'T DO NOTHING. TURN IT ON. LET ME

1177
01:07:07,280 --> 01:07:09,920
OUT OF HERE, YOU GUYS. LET ME OUT OF

1178
01:07:09,080 --> 01:07:11,120
HERE.

1179
01:07:09,920 --> 01:07:13,600
LET ME OUT.

1180
01:07:11,120 --> 01:07:13,600
LET ME OUT OF HERE.

1181
01:07:14,080 --> 01:07:16,520
LET ME OUT OF HERE.

1182
01:07:17,480 --> 01:07:19,800
SHUT UP.

1183
01:07:21,600 --> 01:07:23,960
SHUT UP.

1184
01:07:30,000 --> 01:07:32,720
THAT'S ENOUGH.

1185
01:08:13,000 --> 01:08:16,560
HANK'S A VERY PEACEFUL MAN, LIEUTENANT.

1186
01:08:14,920 --> 01:08:18,200
He's just like a great big gentle

1187
01:08:16,560 --> 01:08:20,880
Newfoundland dog. He wouldn't hurt his

1188
01:08:18,200 --> 01:08:23,280
best friend. He He didn't mean any harm.

1189
01:08:20,880 --> 01:08:24,920
That dame started it. He was okay.

1190
01:08:23,280 --> 01:08:27,640
The thing is, Lieutenant, that I look

1191
01:08:24,920 --> 01:08:29,319
after him. Huh? We look after him. He

1192
01:08:27,640 --> 01:08:33,000
can be managed.

1193
01:08:29,319 --> 01:08:33,000
All right. Let him out.

1194
01:08:45,960 --> 01:08:49,799
Come on, pal. You still want to get out?

1195
01:08:49,839 --> 01:08:54,359
Come on. Come on. You've been sprung.

1196
01:09:16,920 --> 01:09:20,640
Move along now

1197
01:09:18,359 --> 01:09:23,120
while your one-way ticket's still good.

1198
01:09:20,640 --> 01:09:23,120
Go on.

1199
01:09:32,359 --> 01:09:35,640
>> Hey.

1200
01:09:33,640 --> 01:09:37,520
What have they done to you? Hank boy.

1201
01:09:35,640 --> 01:09:38,520
Look at him. All right, get him out of

1202
01:09:37,520 --> 01:09:40,040
here.

1203
01:09:38,520 --> 01:09:41,799
I'll hold you two responsible. Get him

1204
01:09:40,040 --> 01:09:43,319
back to the ship and keep him there. But

1205
01:09:41,799 --> 01:09:45,960
if he's brought in here again, he'll

1206
01:09:43,319 --> 01:09:47,600
stay in. Yes, sir. Right away, yes sir.

1207
01:09:45,960 --> 01:09:49,120
Come on, Hank. Come along, Hank. Much

1208
01:09:47,600 --> 01:09:50,400
obliged. Everything's going to be all

1209
01:09:49,120 --> 01:09:52,080
right.

1210
01:09:50,400 --> 01:09:53,720
We're almost there now, Hank. We're

1211
01:09:52,080 --> 01:09:55,480
almost there. Uh-huh.

1212
01:09:53,720 --> 01:09:57,160
The Fighting Bulldog used to be a copper

1213
01:09:55,480 --> 01:09:59,280
before he quit the ring. Yeah. And a

1214
01:09:57,160 --> 01:10:01,480
champion glass of ale he serves in his

1215
01:09:59,280 --> 01:10:04,320
place, which we are now approaching by

1216
01:10:01,480 --> 01:10:06,320
some strange coincidence. We'll go in.

1217
01:10:04,320 --> 01:10:08,160
Three towels I'll say, which is all our

1218
01:10:06,320 --> 01:10:10,120
friend Mr. Long is likely to pay for.

1219
01:10:08,160 --> 01:10:11,880
You talk too much. But a swim will be

1220
01:10:10,120 --> 01:10:15,120
good for what ails you, Hank. Make you

1221
01:10:11,880 --> 01:10:15,120
like your old self again.

1222
01:10:37,600 --> 01:10:41,600
Now, Hank, you're making thoughts defeat

1223
01:10:39,320 --> 01:10:43,040
themselves. Just wipe your mind clear of

1224
01:10:41,600 --> 01:10:44,560
all.

1225
01:10:43,040 --> 01:10:48,720
He's gone.

1226
01:10:44,560 --> 01:10:49,680
Where did he go? HANK! HANK! HANK! HANK!

1227
01:10:48,720 --> 01:10:50,600
HANK!

1228
01:10:49,680 --> 01:10:52,760
HANK!

1229
01:10:50,600 --> 01:10:52,760
HANK!

1230
01:11:05,800 --> 01:11:09,600
How's the big fella, Hank? Good. We get

1231
01:11:07,760 --> 01:11:12,080
700 after the big show he put on last

1232
01:11:09,600 --> 01:11:13,720
night. How's the big fella? Well, just

1233
01:11:12,080 --> 01:11:15,400
getting his hand through. I'm going to

1234
01:11:13,720 --> 01:11:17,280
go eat. Yeah, you know that little boy

1235
01:11:15,400 --> 01:11:20,680
sure likes that stuff, don't he?

1236
01:11:17,280 --> 01:11:20,680
Really goes for it.

1237
01:11:25,720 --> 01:11:28,560
Bad place to die.

1238
01:11:59,774 --> 01:12:01,794
>> [snorts]

1239
01:12:11,565 --> 01:12:13,585
[groaning]

1240
01:12:19,120 --> 01:12:22,120
>> So, you're what she seen when she looked

1241
01:12:20,640 --> 01:12:25,560
at me.

1242
01:12:22,120 --> 01:12:25,560
Skinny white face, Dane.

1243
01:12:25,800 --> 01:12:30,320
I was you to her, and that's what she

1244
01:12:27,720 --> 01:12:30,320
called me.

1245
01:12:30,760 --> 01:12:36,480
I can't get it out of my head.

1246
01:12:33,480 --> 01:12:38,280
It done something to me.

1247
01:12:36,480 --> 01:12:40,800
You know how you feel sitting in that

1248
01:12:38,280 --> 01:12:43,720
cage all the time?

1249
01:12:40,800 --> 01:12:43,720
Well, that's me.

1250
01:12:44,080 --> 01:12:50,120
You can't think, can you?

1251
01:12:47,480 --> 01:12:53,160
You just keep sitting there.

1252
01:12:50,120 --> 01:12:56,120
Wondering how you're going to get out.

1253
01:12:53,160 --> 01:12:56,120
And that's me, too.

1254
01:13:04,400 --> 01:13:08,040
You like to smash things, don't you?

1255
01:13:12,560 --> 01:13:17,240
Sure.

1256
01:13:14,800 --> 01:13:20,000
That's it.

1257
01:13:17,240 --> 01:13:22,840
Smash things.

1258
01:13:20,000 --> 01:13:25,200
Smash her.

1259
01:13:22,840 --> 01:13:29,760
That's what I'll do.

1260
01:13:25,200 --> 01:13:32,320
Smash her so she can't smash me.

1261
01:13:29,760 --> 01:13:34,920
Smash her.

1262
01:13:32,320 --> 01:13:37,560
Smash her.

1263
01:13:34,920 --> 01:13:37,560
Smash her.

1264
01:15:23,560 --> 01:15:27,920
Oh, Tony, it's you.

1265
01:15:26,160 --> 01:15:30,120
Hello, Mildred. Isn't this an odd hour

1266
01:15:27,920 --> 01:15:31,360
to come calling? I dropped by earlier.

1267
01:15:30,120 --> 01:15:33,040
The doorman told me you were out for the

1268
01:15:31,360 --> 01:15:34,640
evening. You should have taken my word

1269
01:15:33,040 --> 01:15:35,840
for it. I told you I wouldn't be here.

1270
01:15:34,640 --> 01:15:38,600
Well, you're here now, that's the

1271
01:15:35,840 --> 01:15:38,600
important thing.

1272
01:15:38,640 --> 01:15:44,000
Aren't you going to ask me in?

1273
01:15:40,600 --> 01:15:44,000
Oh, yes, of course. Come on in.

1274
01:15:58,960 --> 01:16:02,160
I'm curious to know how you got up here

1275
01:16:00,640 --> 01:16:04,080
without being announced.

1276
01:16:02,160 --> 01:16:06,800
I used a little influence. How much did

1277
01:16:04,080 --> 01:16:09,240
it cost you? $5. Mercenary fellow, that

1278
01:16:06,800 --> 01:16:10,520
doorman.

1279
01:16:09,240 --> 01:16:13,000
You're very resourceful, aren't you,

1280
01:16:10,520 --> 01:16:15,080
Tony? I hope so.

1281
01:16:13,000 --> 01:16:18,120
Well, let's say I know what I want. An

1282
01:16:15,080 --> 01:16:18,120
admirable quality.

1283
01:16:18,360 --> 01:16:23,800
You always get what you want.

1284
01:16:20,160 --> 01:16:23,800
That's a question you'll have to answer.

1285
01:16:34,120 --> 01:16:37,320
I'll never forget the first time I saw

1286
01:16:35,600 --> 01:16:40,680
you light a cigarette.

1287
01:16:37,320 --> 01:16:40,680
Matter of fact, two cigarettes.

1288
01:16:58,720 --> 01:17:02,960
When did your ship sail, Tony?

1289
01:17:00,720 --> 01:17:04,240
Tonight, but I won't be on it.

1290
01:17:02,960 --> 01:17:06,560
Didn't you know what I had in mind when

1291
01:17:04,240 --> 01:17:07,640
I told you I intended quitting the ship?

1292
01:17:06,560 --> 01:17:11,200
No.

1293
01:17:07,640 --> 01:17:14,040
What did you have in mind? You.

1294
01:17:11,200 --> 01:17:15,880
I think you've had one too many.

1295
01:17:14,040 --> 01:17:17,000
Maybe I needed courage.

1296
01:17:15,880 --> 01:17:20,600
Well, if this is a proposal, it

1297
01:17:17,000 --> 01:17:20,600
certainly is a strange one. Mildred.

1298
01:17:20,640 --> 01:17:23,600
I see nothing strange in being in love

1299
01:17:22,160 --> 01:17:27,120
with you.

1300
01:17:23,600 --> 01:17:27,120
Tony, you're talking in circles.

1301
01:17:30,520 --> 01:17:34,760
Mildred, what's changed you?

1302
01:17:33,320 --> 01:17:36,360
Have I changed?

1303
01:17:34,760 --> 01:17:38,040
Well, the way you were before, naturally

1304
01:17:36,360 --> 01:17:41,320
I thought you were serious.

1305
01:17:38,040 --> 01:17:44,200
Too bad you misunderstood my intentions.

1306
01:17:41,320 --> 01:17:45,680
You see, I had none.

1307
01:17:44,200 --> 01:17:47,280
I'm not apologizing. It's just that I

1308
01:17:45,680 --> 01:17:49,600
hate to see you go on making a fool of

1309
01:17:47,280 --> 01:17:51,120
yourself.

1310
01:17:49,600 --> 01:17:53,680
Is that what I've been?

1311
01:17:51,120 --> 01:17:55,080
I'm afraid so, Tony.

1312
01:17:53,680 --> 01:17:56,720
I don't know where you got the idea that

1313
01:17:55,080 --> 01:17:58,880
I was in love with you. You must have

1314
01:17:56,720 --> 01:18:00,480
been daydreaming.

1315
01:17:58,880 --> 01:18:02,800
You're no more important to me than any

1316
01:18:00,480 --> 01:18:05,800
man I'd happen to meet.

1317
01:18:02,800 --> 01:18:08,120
You're not now. You never were.

1318
01:18:05,800 --> 01:18:09,800
It's as clear as that.

1319
01:18:08,120 --> 01:18:11,440
Well,

1320
01:18:09,800 --> 01:18:13,200
I guess that's clear enough.

1321
01:18:11,440 --> 01:18:14,760
It should be.

1322
01:18:13,200 --> 01:18:16,400
Now, if you'll excuse me, Tony, I'll say

1323
01:18:14,760 --> 01:18:19,040
good night.

1324
01:18:16,400 --> 01:18:21,640
Or shall we call it

1325
01:18:19,040 --> 01:18:21,640
goodbye?

1326
01:18:26,400 --> 01:18:30,360
Oh, Tony,

1327
01:18:28,480 --> 01:18:33,760
don't forget the doorman. Perhaps he'll

1328
01:18:30,360 --> 01:18:33,760
give you back your $5.

1329
01:20:22,165 --> 01:20:24,185
>> [music]

1330
01:20:34,610 --> 01:20:36,630
[music]

1331
01:21:02,120 --> 01:21:04,140
[music]

1332
01:24:12,240 --> 01:24:17,480
>> HIYA, BOB. HIYA, HANK. Where you been?

1333
01:24:15,360 --> 01:24:18,720
Been seeing how the other half lives. It

1334
01:24:17,480 --> 01:24:20,440
ain't no different.

1335
01:24:18,720 --> 01:24:22,920
Pour me a double shot.

1336
01:24:20,440 --> 01:24:22,920
I need it.

1337
01:24:23,640 --> 01:24:28,960
Heading back to the old tub?

1338
01:24:26,840 --> 01:24:31,400
She's my ship, and I like her.

1339
01:24:28,960 --> 01:24:34,200
Nobody calls her a tub. No offense,

1340
01:24:31,400 --> 01:24:35,600
Hank. No offense. She's a great ship,

1341
01:24:34,200 --> 01:24:38,080
sure.

1342
01:24:35,600 --> 01:24:39,440
I'll win on the house.

1343
01:24:38,080 --> 01:24:42,680
There's a friend of yours back there

1344
01:24:39,440 --> 01:24:42,680
ain't going to make the ship.

1345
01:25:56,874 --> 01:25:58,894
>> [music]

1346
01:26:24,960 --> 01:26:29,280
>> Now, try and hold back your tears. Here

1347
01:26:27,080 --> 01:26:30,400
we are sailing on her again.

1348
01:26:29,280 --> 01:26:32,240
Suppose there's worse than her

1349
01:26:30,400 --> 01:26:33,440
somewhere, maybe. She'll never be the

1350
01:26:32,240 --> 01:26:35,120
same.

1351
01:26:33,440 --> 01:26:37,120
There'll be something missing here, Mr.

1352
01:26:35,120 --> 01:26:39,480
Long. Well, he ain't coming.

1353
01:26:37,120 --> 01:26:41,600
You might as well forget about him.

1354
01:26:39,480 --> 01:26:45,000
LET'S GET GOING.

1355
01:26:41,600 --> 01:26:47,000
START PITCHING. GET THAT STEAM UP. HEY,

1356
01:26:45,000 --> 01:26:48,640
MCDOUGALL. WHERE YOU BEEN ALL NIGHT?

1357
01:26:47,000 --> 01:26:50,585
WHAT YOU been up to? WHAT DO YOU THINK?

1358
01:26:48,640 --> 01:26:51,480
MY LAST NIGHT ASHORE.

1359
01:26:50,585 --> 01:26:54,560
>> [laughter]

1360
01:26:51,480 --> 01:26:55,800
>> YOU TALK TOO MUCH. GET GOING.

1361
01:26:54,560 --> 01:26:57,600
HEAVE HO.

1362
01:26:55,800 --> 01:26:59,920
GET THAT STEAM UP.

1363
01:26:57,600 --> 01:27:01,800
TAKE IT IN THERE.

1364
01:26:59,920 --> 01:27:03,600
HEAVE HO.

1365
01:27:01,800 --> 01:27:04,840
HEAVE HO.

1366
01:27:03,600 --> 01:27:06,880
HEAVE HO.

1367
01:27:04,840 --> 01:27:08,360
LOOKS LIKE YOUR OLD SELF AGAIN, HANK.

1368
01:27:06,880 --> 01:27:10,920
I'LL BE IN YOUR HEART, YOUR OLD SELF

1369
01:27:08,360 --> 01:27:12,840
AGAIN. 25 KNOTS, THAT'S US.

1370
01:27:10,920 --> 01:27:14,520
MAKE HER MOVE.

1371
01:27:12,840 --> 01:27:16,920
HEAVE HO.

1372
01:27:14,520 --> 01:27:16,920
HEAVE HO.

1373
01:27:33,160 --> 01:27:35,760
>> [laughter]

1374
01:27:34,640 --> 01:27:36,960
>> HEAVE HO.

1375
01:27:35,760 --> 01:27:39,880
TENSION.

1376
01:27:36,960 --> 01:27:39,880
TENSION NOW.